Linda Weiss

 Designer  •  Goldsmith  •  Fine Jewelry  •  Holloware

* * *

 

 

Meet the Artist

Artist's Statement
Resumé

Linda Weiss - designer, goldsmith, jewelry, holloware"The jewelry, images, and vessels that I create are inspired by many varied sources: earth or land formations; natural phenomena; botanical references; jewelry from ancient civilizations; favorite passages in literature; extensive early training in classical dance; and other personal experiences.

Additionally, a significant degree of motivation for my work comes from a persistent need for expression through some other means than written or verbal language. I am extremely motivated by an affinity for the material: METAL - gold; silver; bronze; platinum and pewter - its look, its feel, and its physical properties.

Manipulation of the material is also an important source of inspiration, with an active concern for the formal elements of design: line, form, volume, composition, texture, reflection, contrast and movement. Often a particular process or tool is selected because of the surface it will create - and how the marks made by that tool, or process, may guide the viewer’s eye to engage with the lines or form of the piece.

Some designs incorporate diamonds, pearls, or colored gems to complete the composition. Other pieces may include non-precious materials such as wood or stone. The choice of metal and other materials may be determined by the aesthetic intention of the piece, or by a client’s request.

It is my belief that exacting craftsmanship should complement creative expression. It is my intent that my jewelry be comfortably wearable and contribute to the wearer’s distinct individuality. With my holloware, I aspire to invite the viewer to experience the vessel from a tactile as well as visual perspective. I remain dedicated to creating aesthetically unique, enduring designs of the highest quality craftsmanship."

- Linda Weiss


top

EDUCATION
1976-1977 CRANBROOK ACADEMY OF ART; Bloomfield Hills, MI
Degree: Master of Fine Arts 1977; Studio concentration: Metalsmithing
1974-1975 UNIVERSITY OF WA; Seattle, WA
Degree: Bachelor of Fine Arts 1975; Studio concentration: Metal Design
1973-1974 CENTRAL MI UNIVERSITY; Mt. Pleasant, MI
Postgraduate work: Advanced Independent Study. Studio concentrations: Drawing, Design, Color Theory and Art History
1969-1973 CENTRAL MI UNIVERSITY; Mt. Pleasant, MI
Bachelor of Fine Arts Degree 1973. Studio concentrations:
Drawing & Painting; Metalsmithing.

top

TEACHING POSITIONS

1996-Present SANTA ROSA JUNIOR COLLEGE; Santa Rosa, CA
Instructor: Beginning, Intermediate and Advanced Jewelry.
1999-2005 SANTA ROSA JUNIOR COLLEGE; Instructor: Introduction to Art and Design
1999 SANTA ROSA JUNIOR COLLEGE; Community Education Instructor: Health & Safety in the Metal Arts Studio
1998-2000 SANTA ROSA JUNIOR COLLEGE; Community Education Instructor: Beginning and Intermediate Enameling
1981-1982 ACADEMY OF ART COLLEGE; San Francisco, CA
Instructor: Jewelry Arts and Small Metal Sculpture.
1979-1980 CA COLLEGE OF ARTS AND CRAFTS; Oakland, CA
Instructor: Holloware and Metal Fabrication.
Extension Instructor: Designing Jewelry for Casting.
1977-1978 UNIVERSITY OF MI; Ann Arbor, MI
Visiting Artist/Professor: Jewelry and Holloware Design.

top

WORKSHOP PRESENTATIONS (Partial Listing)

2005 Mendocino Art Center; Mendocino, CA
Workshop Instructor: "Mastering Metal”
2004 2004 Oakland Museum, Oakland , CA
Artist Presentation sponsored by: Metal Arts Guild, San Francisco, CA
“DIVERSITY – a personal career synopsis”
2001 Mendocino Art Center; Mendocino, California.
Workshop Instructor: "Mastering Metal - II "
2000 Evergreen Valley College. San Jose, CA
Visiting Artist and Guest Lecturer
Santa Rosa Gem & Mineral Society: Santa Rosa, CA
Visiting Artist and Guest Lecturer
1998 AZ Artist Craftsman Guild; Tucson, AZ
Guest Lecturer: "Health & Safety Concerns in the Metal Arts Studio"
1998 Mendocino Art Center; Mendocino, CA
Workshop Instructor: "Mastering Metal - Beyond Basic Coercion "
1982 College of Marin & Northern CA Enamel Guild; Kentfield, CA
Guest Lecturer: "Health Hazards Encountered by Metalsmiths and Enamelists"
1979 CA College of Arts and Crafts; Oakland, CA
Guest Lecturer: "Design, Rendering, and Presentation Skills for the Artist Goldsmith"
Humboldt State University/Art Department; Arcata, CA
Guest Lecturer: "Angle Raising and Holloware Techniques"
1978 Cabrillo College/Art Department; Aptos, CA
Guest Lecturer: "Health Hazards in the Arts"
Visiting Artist: Jewelry Department
Wayne State University/Art Department; Detroit, MI
"Health Hazards in the Arts" Conference with Chrysler Corporation Industrial Hygienists
Coordinator: "Health Hazards Encountered in the Field of Metalsmithing"
MI State University/Art Department; East Lansing, MI.
Visiting Artist: Jewelry and Metalsmithing Department
Guest Lecturer: "Health Hazards Encountered in the Field of Metalsmithing"

top

NATIONAL AND REGIONAL INVITATIONAL EXHIBITIONS (Partial Listing)

2004 Diversity in Metal. Oakland Museum Collector’s Gallery; Oakland, CA
2003-06 The Art of Gold. International exhibit that will travel to museums nationwide for 4 years.
Show opened in January 2003 at the Crocker Museum; Sacramento, CA
University of Richmond Museums, Richmond, VA
Spencer Museum in Lawrence, KS
Joe & Emily Lowe Art Gallery, Shaffer Galleria, Syracuse, NY
Midland Center for the Arts, Midland, MI
Mint Museum of Craft and Design in Charlotte, NC
J.Wayne Stark University Center Galleries, College Station, TX
Anchorage Museum of History and Art, Anchorage, AK
2003-05 "The Art of Gold" opens at the Crocker Museum in Sacramento, CA and travels to other museums in the U.S.
2003 "The Art of Gold – Beyond the Mines" a California invitational exhibit that runs concurrently with the national invitational exhibit "The Art of Gold" at the Crocker Museum, Sacramento, CA
2002 Feast. Mendocino Art Center; Mendocino, CA
2002 California Small Works 2002. Sonoma Museum of Art; Santa Rosa, CA
2000 Marin County Fair. Juror and Invited Participant; Three Dimensional Art. San Rafael, CA
Art Faculty Show. Santa Rosa Junior College Art Gallery; Santa Rosa, CA
1999 Republic Bank National Silver Invitational. Kentucky Art and Craft Gallery; Louisville, KY
Knife, Fork and Spoon. Yaw Gallery, Birmingham, MI
This show opened at SOFA in NY City in April.
1998-99 The Functional Vase Project 1998. Yaw Gallery; Birmingham, MI
This show opened at SOFA in NY City, NY in April. The show then traveled to: Yaw Gallery, Birmingham, MI; SOFA in Chicago, IL; J. Cotter Gallery, Vail, CO; Thomas Mann Gallery, New Orleans, Louisiana, LA; Wustum Museum, Racine, WI
1998 New Work: Art Department Faculty Exhibit. Santa Rosa Junior College Art Gallery; Santa Rosa, CA
1992 Metals Now 1992; Downey Museum of Art; Downey, CA
1991 Recent Acquisitions for the Permanent Collection. Cranbrook Art Museum; Bloomfield Hills, MI
1990 CA Metal Forms '90. Juror and Invited Participant; CA Crafts Museum; San Francisco, CA
1986-90 Society of North American Goldsmiths Exhibit; Mitchell Museum; Mt. Vernon, IL
1986-91 North American Pewtersmiths; Brookfield Craft Center; Brookfield, CT
1986-92 The Eating Experience: Hand Crafted Utensils for the Table; Palo Alto Cultural Center; Palo Alto, CA
Two-Person Show: Linda & John Edwards; Running Ridge Gallery; Santa Fe, NM
Three and One-Half Decades: Metalsmithing at Cranbrook; Cranbrook Art Museum; Bloomfield Hills, MI
3rd National Metals Invitational; Reese Bullen Gallery; Humboldt State University; Arcata, CA
Metal Arts of the 80's; Monterey Peninsula Museum of Art; Monterey, CA
One-Person Show: Jewelry and Holloware; Concepts; Carmel, CA
CA Jewelers and Metalsmiths; Precious Objects Gallery; Los Gatos, CA
1986-90 American Jewelry, Enamel and Holloware: A Contemporary Approach; Farmington Valley Arts Center; Avon, CT
The Art of the Silversmith; San Jose Museum of Art; San Jose, CA
National Metalsmithing Invitational; Center for Visual Arts; Anchorage, AK
17 American Goldsmiths; Precious Objects Gallery; Los Gatos, CA
CA Metals Invitational; Long Beach, CA
The National Metalsmiths Invitational; New Haven, CT
The CA Craftsman Exhibition; Monterey Peninsula Museum of Arts; Monterey, CA
1981 Metalsmith '81; University of Kansas Art Gallery; Lawrence, KS
Designer-Craftsman '81; Richmond Art Center; Richmond, CA
1980-81 Young Americans - Metal; American Crafts Museum; NY, N Y
Traveling Tradition in the Making; Atlanta, GA
1980 The Western Edge: Designer and Production Crafts; Glendale, CA
1979 Objects '79; Grand Junction, CO
Fine Forgery; Peters Valley; Layton, N J
Pensacola National Crafts Exhibition; Pensacola, FL
The CA Craftsman Exhibition; Monterey Peninsula Museum of Art; Monterey, CA
Designer-Craftsman '78; Richmond Art Center Richmond, CA
1977 Statements in Sterling '77; Sterling Silver Design Competition; NY, N Y
Copper, Brass and Bronze; University of AZ Tucson, AZ

top

AWARDS, GRANTS and RECOGNITION (Partial Listing)

2005-06 Featured Artisan: Society of American Silversmiths Website
2004 2004 Saul Bell Design Award Finalist: Holloware Category.
Rio Grande, Albuquerque, NM
1998 Society of North American Goldsmiths - Workshop Presentation Grant
AZ Artist Craftsman Guild; Tucson, AZ
Guest Lecturer: " Health & Safety Concerns in the Metal Arts Studio
1992 T. A. P. Plastics Award for Excellence in Craft
Marin Society of Artists; Ross, CA
1981 Soroptomist International/ Hazel Salmi Merit Award; 1981 Designer-Craftsman
Richmond Art Center; Richmond, CA
1978 Merit Award; 1978 Designer-Craftsman
Richmond Art Center; Richmond, CA
Merit Award; The CA Craftsman
Monterey Peninsula Museum of Art; Monterey, CA

top

PUBLICATIONS (Partial Listing)

  Niche, Autumn 2005, “What’s New in Hollowware”, Vol. 17, No.4, pp.50-51.
Teapots: Makers & Collectors, Dona Meilich, Schiffer Publishing Ltd., Atglen, PA, 2005, p.154.
Art Jewelry Today, Dona Meilich, Schiffer Publishing Ltd., Atglen, PA, 2003, p.82.
Jewelers Circular Keystone, February 1991 "Fashion Flashback: New Looks For Spring", Vol. CLXII, pg. 99.
National Jeweler, July 16, 1990, "Regional Shows Offer Fashion and Fun", Vol. 34, No. 14, pp. 44-46.
Europa Star, "Jewelry of The USA", 1986, No. 157-4.
Accent, "Meet the New Designers", August, 1986, pp. 26-27.
Jewelers Circular Keystone, January 1986, "Weiss/Edwards - High Energy Artists", Vol. CLVII, No. 1, pp. 72-73.
Practical Casting, Tim McCreight, Brynmorgan Press. 1986. EDITORIAL CONSULTANT on Health & Safety .
Metalsmith, Fall 1983, Vol. 3, No. 4, p. 51.
Goldschmiede Veitung/European Jeweler, June1983, "Amerikanische Schmuckkugstler" Article, p. 66-71.
Jewelry Making for Schools, Tradesmen, and Craftsmen, M. Bovin, Bovin Publishing, Forest Hills, NY, 1979, p. 272.
"Health Hazards Encountered in the Field of Metalsmithing and Alternatives for a Safer Working Environment," a paper written and researched by Ms. Weiss and published by the Society of North American Goldsmiths in conjunction with their 1978 Annual National Conference in St. Louis, MO
Artweek, "Designer- Craftsman '78", November 18,1978.

top

ORGANIZATIONAL AND PROFESSIONAL AFFILIATIONS

  Society of North American Goldsmiths - Distinguished Member
Society of American Silversmiths, Artisan Member
American Crafts Council
Sonoma County Art Council
Metal Arts Guild, San Francisco / Bay Area, CA

 

COLLECTIONS (Partial Listing)

  Oakland Museum - Oakland, CA
Cranbrook Academy of Art Museum - Bloomfield Hills, MI
Congregation Shir Hadash - Los Gatos, CA
Mr. & Mrs. Terry Frost - Cornwall, England
Mr. & Mrs. Renato Ferarri- Treviso, Italy
Mark Bloome Enterprises - Los Angeles, CA & Seattle, WA
Vernal House Collection - Brentwood, CA
Tahiti Perle Centre and Museum - Papeete, Tahiti
Toyota Corporation -Torrance, California

 

* * *

HomeFlatwareHollowareJewelrySculpture & Wall ArtEnamelwareMeet the ArtistArtist at Work
Sales & CommissionsTeachingExhibitionsContactCopyrightLinks

Linda Weiss • linda@lindaweiss.com • 707.528.2262

©2003-2006, Linda Weiss - All rights reserved.